Maggie's Music (2026), film still

Maggie's Music

Film Details

Country: Australia
State: Queensland
Genre: Personal Story
Festival Year: 2026
Filmmaker: Julia Lewis

Film Transcript

I was diagnosed in 2000 with DID. I understand when people have been traumatised and/or abused, what happens is your brain goes into hiding while that is actually taking place. It's like a bit of your mind splits off. If you get abused a lot, you've got all of these different personalities hiding the abuse because you don't want to live with that every single minute of every single day.

I became very withdrawn and finally decided I needed psychological help. Thank goodness I did pursue that, and after four people I found my current psychologist who has been very supportive and knowledgeable.

It is like you're in the middle of a party of 100 or 200 people and you're standing in the middle of the room and you've got everybody around you talking, shouting, screaming, laughing, crying, and that can be going on in my head at one time. I was hardly going out of the house at all. So she encouraged me to go to a concert at the ABC Concert Hall with the Beethoven septet. It was wonderful and a real eye-opener. What I heard there were the seven different instruments playing in my mind at the same time independently. I decided I wanted to explore the possibility of me having different personalities.

So I started writing an orchestral piece and, unbeknownst to each of the parts, they each chose an instrument and they were writing their own and composing their own independent part. It was the most overwhelming experience to have at the end of that—wow, some of this actually sounds nice—and the others had no idea that they were actually working in tandem with other personalities and instruments.

And so postcon we made this watershed move into then exploring whether or not she could also compose independently, which then meant that they started to cooperate with each other and know about each other. And so the phobia started to really reduce and the compassion, cooperation and communication increased. But they are fairly stubborn, strong-willed, and it was them who was trying to portray through the music how intense the feelings were.

We compose. So we get to the music, we get to the page, and what comes out is literally what's going on in my mind, and they will actually give themselves a name. Some of the personalities are non-verbal. So this process of composition has been an absolute godsend for them because it's the first time they've ever had a voice.

Specifically doing the PhD because I've had to delve so much into the personalities from the creative side. Jen and I both feel we've probably done more work in the last 3 years than the previous 15 years. It's actually been quite incredible. I'm very, very blessed that my psychologist has been on board with this and she has encouraged me to take this journey.

We've had parts working together that have never worked together before, or there's been some integration of parts that are the same part at different ages. Previously they were aware that they were the same parts at different ages but had no connection with each other, and they've now integrated—she describes it like a matrioska doll; they're all within the one part now.

This is really what I want to do: to help people, whether it is just listening, you know, but I think more than that I want to get them into their own creative paths, cuz I think creativity is the most wonderful tool for mental health issues.

Filmmaker

Julia Lewis is the filmmaker behind this entry. See every Focus on Ability entry from Julia Lewis.

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